d) Concrete expressions including all products of folk fine arts such as drawings or paintings, sculptures, pottery, porcelain, textiles, clothing, carpets, traditional musical instruments, architectural forms. 13. Reproduction: Making one or more copies of a work, performance, sound recording, or a broadcasting program, directly or indirectly by any means and in any form, including permanent or temporary electronic storage, printing and photocopying of a work or sound recording. 14. Publication: Making available or offering, to the public, in reasonable quantities, tangible copies of a work, sound recording, broadcasting programs or performance by any means, with the consent of the right owner, in an appropriate quantities, for sale, rental, public lending, or other transfer of the ownership or the possession of the copies. 15. Sound recording: The fixation of the sounds of a performance or of other sounds, or of a representation of sounds, other than in the form of a fixation incorporated in an audio-visual work. 16. Producer of sound recording: The natural or legal person, who assumes the responsibility for the first fixation of the sound recording. 17. Producer of audio-visual work: The natural or legal person, who takes the responsibility for making the audio-visual work. 18. Neighboring rights: The rights of the performers, producers of sound recordings and broadcasting organizations. 19. Performers: The persons, who act, sing, orate, recite, play, dance, or otherwise perform other works and national folklore expressions. 20. Public domain: The property, which include all works excluded from protection or of which the term of protection of economic rights expires at the date of enforcing this law, or of which the term is so reduced in accordance with the provisions of this law. 21. Broadcasting: Transmission of sounds or sounds and images, or transmission of any representation thereof, by wireless means - including transmission by satellite – to the public. It is considered as broadcasting the wireless transmission of encrypted signals if the means for decoding are provided to the public by the broadcasting organizations or with their consent. Broadcasting does not include transmissions over computer networks or any transmission where the time and place of reception may be individually chosen by members of the public. 22. Public Performance: Any action presenting the work to the public of any variety whereby a contact is established between the public and the work through direct performance or any other means. 23. Communication to the public: Transmission of images, or sounds, or images and sounds, by wired or wireless means of a work, performance, sound recording or broadcasting program, in a way to allow individuals, other than family members and their closest friends, to receive the transmission in any place other than the origination point of the transmission, and regardless of the time and place of reception, including making them available to the public in such a way that members of the public may access them at a time or place chosen by the individual as received by a computer or any other means. 24. Broadcasting organizations: The authority, which transmits, by wireless means, audio or audio-visual broadcasting, or any representation thereof.