distribution of the work thus reproduced, in particular the public performance of the reproduction made by means of film or phonogram; translation, adaptation, arrangement or any other transformation of the work; communication of the work to the public by means of performance or recitation, by any means or process whatsoever, including sound or television broadcasting; communication of the broadcast or televised work to the public by wire, loudspeaker or by any other process for transmitting sounds or images, whatever the place of reception of the communication. Article 29. No third party may do any of the above acts without prior authorization given formally in writing by the author. Any reproduction or performance, whether partial or whole, made without the authorization of the author or his successors in title shall be unlawful. The same shall apply to the translation, adaptation, arrangement or transformation of the work. Article 30. Notwithstanding any assignment of the original work, the authors of graphic or threedimensional works shall have an inalienable right to a share in the proceeds of sale of such works by public auction or through a dealer, whatever the methods used by the latter to carry out the operation. This provision shall not apply to architectural works or works of applied art. After the death of the author, this droit de suite shall subsist for the heirs or legatees, in accordance with Article 61. The conditions for the exercise of this right shall be laid down in subsequent instruments. CHAPTER 2 Moral Rights Article 31. The author may disclose his work, claim authorship, defend its integrity and require that his name be mentioned whenever one of the acts referred to in Article 20 is done. Save where a work is included incidentally or accidentally when reporting current events by means of broadcasting, the author may object to any distortion, mutilation, modification or any other derogatory action in relation to his work where such acts are prejudicial to his honor or reputation. Article 32. The rights referred to in Article 31 shall be perpetual, inalienable and imprescriptible. They may be transferred on the death of the author to his heirs, who may exercise them even after the expiry of the economic rights laid clown in Article 2~. CHAPTER 3 General Limitations Article 33. Notwithstanding Article 28, the following uses of a protected work, either in the original language or in translation, shall be permissible without the author's consent: 1. In the case of a work that has been Iawfully published: (a) the reproduction, translation, adaptation, arrangement or any other transformation of such work exclusively for the user's own personal and private use; (h) the inclusion, subject to the mention of the source and the name of the author, of quotations from such work in another work, provided that such quotations are compatible with fair practice and their extent does not exceed that justified by the purpose, including quotations from newspaper articles and periocJicals in the form of press summaries; (c) the utilization of the work by way of illustration in publications, broadcasts or sound or visual recordings for teaching, to the extent justified by the purpose, or the communication for teaching purposes of the work broadcast for use in schools, education, universities and vocational training, provided that such use is compatible with fair practice and that the source and the name of the author are mentioned in the publication, the broadcast or the recording. 2. In the case of an article published in newspapers or periodicals on current economic, political or religious topics, and in the case of a broadcast work of the same nature, the reproduction of such article or work in the press, or the communication of it to the public, unless the article when published , or the broadcast of a work when broadcast, is accompanied by an explicit statement prohibiting such uses, and provided that the source of the work when used in such manner is clearly indicated. 3. For the purposes of reporting on a current event by means of photography, cinematography or communication to the public, the reproduction or making available to the public, to the extent justified by the informatory purpose, of any work that can be seen or heard in the course of such current event. 4. The reproduction of works of art and of architecture, in a film or a television broadcast, and the communication to the public of the works so reproduced, if those works are permanently