(d) the distribution or making available to the public of the original or copies of the fixation of his or her performance through sale or other transfer of ownership. (2) A performer has the right to enter into contract on terms and conditions that the performer may wish for the use of the performance or fixation by another person. (3) A performer shall have the right to authorise the commercial rental to the public of the original or copies of the fixation of his or her performance even after the distribution or making available to the public of the original or copies of the fixation by the performer. (4) A performer shall have the right to authorise the making available to the public of the fixation of his or her performance by wire or wireless means or internet, in such a way that members of the public may access it from a place and at a time individually chosen by them. 23. Moral rights of a performer (1) A performer has a right— (a) to be identified as the performer; (b) to have his or her name mentioned each time the performance or the broadcast or communication of the fixation, is used or whenever any of the acts referred to in section 24 is done in relation to a performance, except where it is not practicable to do so; (c) to object to and seek relief in connection with any distortion, mutilation, alteration or modification of his or her performance. (2) The moral right under subsection (1) shall not be assignable to any person, except for the purpose of its enforcement. 24. Action not authorized without a specific provision in a contract Unless it is specifically provided in a contract, the authorisation to broadcast or communicate a performance does not imply— (a) a licence to other broadcasting or companies to transmit the performance; (b) authorisation to make a fixation of the performance; (c) authorisation to reproduce the fixation where the authorisation granted is to broadcast and communicate a fixation of the performance; (d) authorisation to broadcast or communicate the performance from the fixation where the authorisation granted is to make a fixation. 25. Authorization in a co-performance Where two or more persons take part in the same performance as a group, authorisation for the use, broadcast or communication of the performance shall be given by the leader of the group or the legal representative of the group if any.