ii. the fixation of his unfixed performance; iii. the direct or indirect reproduction of a fixation of his performance, in any manner or form; iv. the distribution of a fixation of his performance, or of copies thereof, to the public; v. the commercial rental to the public of a fixation of his performance, or copies thereof; vi. the making available to the public of his fixed performance, by wire or wireless means, in such a way that members of the public may access them from a place or at a time individually chosen by them. b) Once the performer has authorized the incorporation of his performance in an audiovisual fixation, he shall, in the absence of contractual provisions to the contrary, be deemed to have assigned his exclusive economic rights with respect to that fixation to its producer. c) The right of distribution under item (iv) of subsection (a) shall not apply to a copy of a fixation of his performance that has already been subject to a sale or other transfer of ownership in any country authorized by the performer. d) Independently of the performer‟s economic rights, and even after the transfer of those rights, the performer shall, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performance, and to object to any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation. e) Modifications consistent with the normal exploitation of a performance in the course of a use authorized by the performer shall not be considered prejudicial to the performer‟s reputation. The provisions of Section 9.7 (b) apply mutatis mutandis to the rights granted under this subsection. f) The rights under this section shall be protected until the end of the fiftieth calendar year following the year in which the performance was fixed. §9.28. Rights of Producers of Sound Recordings a) A producer of a sound recording shall have the exclusive right to carry out or to authorize any of the following acts: i. the direct or indirect reproduction of the sound recording, in any manner or form; ii. the distribution of the original or copies of the sound recording to the public; iii. the commercial rental of the original or copies of the sound recording to the public, 31